The Local H Lifers Database

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Band

Journey

Referenced in 18 episodes

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#260: MMMBappe

June 26, 2026

Scott discusses the 2022 World Cup, criticizing American fans for chanting "USA" and mimicking White Stripes songs instead of singing in unison like other countries, while declaring his support for Argentina and Messi. The hosts engage in their regular segment debating best and worst album covers, with Scott criticizing Aerosmith's "Get a Grip" and David Lee Roth's "Eat Them and Smile" as worst covers, while Gabe defends iconic covers like The Clash's "London Calling" and The Beatles' "Abbey Road." Scott also praises the recent Toadies tour, particularly highlighting exceptional shows in Yonkers, Boston, and Cincinnati, while expressing frustration with Enjoy the Ride Records' unauthorized vinyl release of Local H's "As Good As Dead.\

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🎸 Replacements

#230: Randy Jackson

August 14, 2025

Randy Jackson, guitarist and vocalist of the rock band Zebra, discusses the band's origins in New Orleans in the 1970s, their move to New York and rise to success in the early 1980s with their self-titled debut album produced by Jack Douglas, and the ups and downs of their career on the Atlantic Records label. Jackson reflects on Zebra's musical influences, touring with bands like Cheap Trick, and the loyalty of their fanbase as they celebrate their 50th anniversary in 2023.

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#223: The Boys of Summer

June 27, 2025

In this episode, the hosts Scott Lucas, Gabe Rodriguez and Ben Reiser discuss various topics including the hot summer weather, Bruce Springsteen's upcoming film, and their favorite summer songs. They each pick a few songs that remind them of summer and engage in humorous banter throughout the conversation.

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#214: Tim Hunter

April 4, 2025

Tim Hunter, director of River's Edge and episodes of Twin Peaks, Mad Men and Breaking Bad, discusses his career and the current political climate in this episode of the Lifers podcast. Hunter compares the blacklisting of his father during the McCarthy era to "Gestapo tactics" and a "blacklist of thought" under Trump. The hosts and Hunter also debate their favorite uses of heavy metal music in films.

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🎸 Replacements

#199: Bob Lugowe, Prince & ICP

November 28, 2024

In this episode, Bob Lugowe discusses his music industry career, including working at record labels like Relapse Records and Sony. Lugowe and the hosts discuss their favorite Prince songs as part of the show's "What's the Best" segment. The conversation also touches on Lugowe's love for the hip hop duo Insane Clown Posse.

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🎸 Replacements

#179: Mike McIntyre

July 12, 2024

Mike McIntyre, a longtime bartender in Chicago, discusses his past as a fisherman in Alaska and being in the band 9 Day Wonder with his brother in the 1990s. The hosts and Mike discuss 90s alternative pop music, with each sharing some of their favorite songs from that era. Mike shares stories of his early days in the Chicago music scene and thoughts on how the bar scene has changed over his nearly 30 years as a bartender.

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🎸 Replacements

#176: John Haggerty

June 21, 2024

John Haggerty discusses his influential guitar playing with the bands Naked Raygun and Pegboy, the 1970s Chicago punk scene, and his upcoming show at Metro. He also shares his favorite guitar solos of the 1970s, heavily favoring classic rock and metal.

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🎸 Replacements

#173: Jonny Polonsky

May 31, 2024

Jonny Polonsky discusses his musical journey from growing up in Chicago to becoming a professional musician in LA. As a teenager, he made home recordings that he sent to Frank Black of the Pixies, which led to getting signed to Rick Rubin's American Recordings label. Polonsky has since worked as a solo artist and played with bands like Puscifer. His new album Supernatural Radio is coming out on Loose Groove Records.

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#172: Big In Japan

May 24, 2024

Scott is traveling in Japan with his wife Justine after a rough experience in Bali. He discusses the differences between the two countries and his initial impressions of Japan. The hosts then play a game called "What's the Best Song that Starts with the Chorus?", debating and comparing various song choices that fit this category.

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#171: Bali High

May 17, 2024

In this episode, the hosts Lucas, Gabe, and Ben discuss various music-related topics while Scott is on vacation in Bali. They pay tribute to recently deceased music producer Steve Albini and actress Susan Backlinie from Jaws. The hosts then play a game called "What's the Best Song That Saves the Chorus Until the End", debating whether certain songs like "Don't Stop Believin'" and "Hey Jude" qualify. Scott also shares some stories from his trip to Bali.

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#61: Gwen Ihnat

April 11, 2022

Gwen Ihnat, a longtime writer for The A.V. Club and other publications, discusses her career in music and pop culture journalism. She shares anecdotes about interviewing musicians like Tom Jones and Liz Phair, accidentally misquoting Phair's lyrics in a review, and her experiences working at The Onion and A.V. Club offices in Chicago. With The A.V. Club moving to Los Angeles, Ihnat reflects on this end of an era and what the next chapter of her writing career may hold.

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#57: Keith Smith

March 11, 2022

Scott Lucas, Gabe Rodriguez and Ben Reiser interview their high school friend Keith Smith, who is in the Christian metal band Oblivion Myth. They discuss Keith's musical journey, his faith, and reminisce about the metal and hard rock scene they grew up with in Zion, Illinois in the 1980s and early 1990s.

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#48: Greg Corner

January 7, 2022

Greg Corner discusses his experiences growing up as a metalhead in the Chicago suburbs, playing in the band Kill Hannah, and navigating the major label music industry in the early 2000s. He also recounts how he transitioned into DJing, eventually playing Barack Obama's 50th birthday party fundraiser in 2011. Throughout the conversation, Greg and the hosts share stories and opinions on various music and pop culture topics.

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#47: Page Hamilton

December 31, 2021

Page Hamilton, guitarist and vocalist of the band Helmet, discusses the band's early days playing in New York City in the late 1980s and early 1990s. He talks about the influence of jazz and classical music on his guitar playing, getting signed to Interscope Records amidst a major label bidding war in the wake of Nirvana's success, and briefly playing guitar with David Bowie in the late 1990s.

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#26: Jill Hopkins

August 6, 2021

Jill Hopkins, a DJ and radio host in Chicago, discusses her career in music broadcasting and podcasting on this episode of the Lifers podcast with Scott Lucas and Gabe Rodriguez. Hopkins talks about her work at Chicago public radio stations WBEZ and Vocalo, her love for the city of Chicago, and reminisces about 80s and 90s music and MTV. She also mentions some of her other projects like a Beyoncé podcast series and a show called The Opus where she does deep dives into classic albums.

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#25: Dave Pirner

July 31, 2021

In the podcast, Scott Lucas from the band Local H interviews Dave Pirner from Soul Asylum. They discuss the 1980s Minneapolis music scene that Soul Asylum emerged from, Pirner's creative influences and approach to songwriting, the challenges of sudden fame in the 1990s, and Pirner's move to New Orleans to recenter himself. Lucas and Pirner also share their frustrations with people refusing to get vaccinated against COVID-19, forcing them to postpone touring plans.

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#24: Hey, Killer/Side 2

July 23, 2021

The members of the band Local H reflect on the writing and recording of their 2015 album Hey, Killer. They discuss the creative process behind specific songs, the production techniques used in the studio, and their thoughts on the album's lyrical themes of death, religion, and personal choice. The conversation also touches on the largely positive critical reception to the record upon its release.

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#5: An Utterly Incoherent, Impotent Frankenstein of Half Baked Ideas

March 12, 2021

In this podcast episode, Scott discusses the song structure of the Genesis song "It's Gonna Get Better" with guests Ben, Gabe, and Steve. They analyze whether the song has a chorus, verse, or bridge, and compare the album version to a longer live version which clarifies the structure but makes the song less interesting to Scott.